Tuesday, May 18, 2010

Finally, Some Updates!

Hello 1 and All,

I realize it's been forever since I've told you what I've been up to. Pictures are worth thousands of words so here are some photos from my adventures in the last few weeks...

This one was taken on my national tour doing FOH sound for Everest and Young the Giant, two incredible young bands.
Young the Giant taken at the Newport Music Hall in Columbus, OH. The oldest (and maybe most beautiful) rock music venue in the US!
Everest and I made a pit-stop at Devils Tower, WY - one of the most beautiful natural monuments in this incredible country.

Tuesday, February 23, 2010

Mixing "Martini Hour" w/ Deke McClelland and Colleen Wheeler


It has been interesting mixing "Martini Hour," a 30 minute show produced by Potrero Post Studios where hosts and Photoshop gods Deke McClelland and Colleen Wheeler discuss topics salient in the wonderful world of Photoshop and digital imaging. It is a fun mixture of Photoshop tips, laughter and music all created in a fun soundscape which I help shape in the mix. Have a listen here.

Monday, February 15, 2010

Benny Brussell Music/Video (not music video) I Mixed

I just finished this mixing project at Potrero Post Studios with Benny Brussell and producer/mixer Jerry Stucker. Benny was great to work with and the music was a lot of fun to experience in the process.



See more of Benny's music that I helped out with at: http://www.youtube.com/bennybemusic

Monday, January 25, 2010

Listen to my Audio Samples

Check out some samples of my best recordings from the past couple of years. Have a listen and give me a call if you like what you hear.

Friday, January 15, 2010

Check Out My Gig This Week: Tyne Daly at the RrazZ Room


The last three nights of show have been really fun at the RrazZ Room working with actress/performer Tyne Daly, and here backing band, which is made up of phenomenal players. The show is funny and Tyne is very talented. I will also be running sound for Valerie Pettiford on Sunday. Come say "Hi" to me at the sound booth!

Read the SF Chronicle's review of the show!

http://www.sfgate.com/cgi-bin/article.cgi?f=/c/a/2010/01/14/DD0B1BHB7P.DTL

Tuesday, October 20, 2009

The Demands of the Show


A few recent gigs come to mind where my enthusiasm for the music and my sound sense of show were put to good use. Back in September, I was hired by a great up-and-coming folk-rock outfit from L.A. called Everest to engineer their show at a prestigious club, Yoshi's in San Francisco. I met the band and expressed interest in working with them while I was working at the High Sierra Music Festival over the summer. I loved the challenge and responsibility of using my good judgement and musicality to give the band just the right amount of reinforcement and sound effects in an acoustically exciting environment.

More recently, I have been asked to do some work at the Rrazz Room at the Hotel Nikko in San Francisco. It was a nice coincidence to work with The Bud-E Luv Band on a recent Sunday night. I have done sound on a few other occasions for the band and they are great to work with. Never having seen their club performance, I was stretched to operate a follow-spot light and take sound and lighting cues. I love the challenge of being asked to be a part of a particularly demanding show.  

Whether you are in a band whose show demands thousands of cues from the production technician, or your band requires complete transparency of production, I am looking forward to playing the role that you ask of me. Let's work together to engineer the best show possible for the audience, and have a great and rewarding time ourselves. 


Tuesday, August 11, 2009

My Finest Work Yet

I had a great week last week down at Asilomar Conference grounds at a Science of the Mind Conference. I was the lead audio engineer in Merrill Hall, the main gathering space for the conference. 


This surprisingly turned out to be my best gig yet. I have never felt such a sense of pride in my work (with a whole week, I got the sound better and better every day), and at the same time such a deep connection to the music and musicians I was working with. There were so many great people do
wn at Asilomar, and I will never forget how great of a time I had.

Tuesday, July 21, 2009

Guiding Principles of a Great Audio Engineer


-Follow Your Passion and Act Passionately
As someone who felt the fire of live music early on, I have been pursuing a fulfilling career in Music ever since. At this point, having done sound for hundreds of different bands in dozens of venues, I am now set on getting more closely involved with the music I love. After all, I can be the greatest help to music that I can truly get behind. The best way to show you are passionate about something is to be completely dedicated to being the greatest at that thing. For me that means, surrounding myself with the greatest engineers and learning from their experiences, constant study of the principles of the industry (books, magazines, blogs, www), seeking new and interesting music, carefully observing and immediately integrating new techniques and attitudes, and working flawlessly when given the chance to work alongside great people of the business.

-Be A Lifelong Learner and Infinitely Self-Critical
I always make sure to keep ears, eyes and mind wide open to new ideas that will help my becoming a better engineer, musician, producer, listener and technician. It is tempting to read about a great way to engineer a show and immediately implement that technique into the show you are mixing. My hard and fast rule regarding mixing and engineering techniques is to ask: How does it affect the sound? I admit that the number of blinking lights in front of you at a mixing console can be mesmerizing. There is a strong temptation to mix by what you see, not by what you hear. That is why I find it so important to sometimes look away briefly and ask myself a few questions: What is this piece of gear doing to change the sound? Is it improving the mix? Is the mix too loud? Is every element of the music clear and sounding as it should? Is the vocal sitting comfortably in the mix? One of my greatest strengths as an audio engineer is that I am my biggest critic. Every night I mix, I do a self-debrief and think about any problems that occurred and what I could have done better to resolve them. I don't dwell on my mistakes, but instead think the situation through until I figure out exactly what I should have done better and how, and apply this new approach to future situations in the show.

-Know Your Craft
Master musicians spend hours each day perfecting their craft. As the person through whom their music flows in a live setting or recording session, every sound engineer has the responsibility of spending the same time every day studying the science of sound, hearing, and the physics of electronics, ear-training, and listening to a LOT of music.

-Communicate Clearly and Tactfully
It has often been said that being a great audio engineer is half technical aptitude and half communication skills. As the guy at the controls of the show there are so many people that need to be happy with  your work in order for the show to be considered a success. Among these are the musicians, audience, promoter, venue manager, production manager, and many more. On big productions there are many reputations at stake, large amounts of money invested, and as a consequence delicate - sometimes volatile - personalities emerge. It is crucial as an engineer to be able to communicate effectively with all of these personalities in such a way that feelings and egos are considered and problems are addressed professionally, all for the sake of the show. 

-Be a Team-Player
On your own crew be safe and predictable, ask questions, communicate, take charge, lead by example, and waste no movement. When setting up sound gear for live concerts all personnel are on the same team - catering, engineering, bar staff, event suppliers, grounds crews, and production staff. In my view, we all want the same thing - a great show that people remember fondly, and that the performers enjoyed as well. Whether it is communicating with other crews to avoid set-backs or simply being polite, it is crucial to every show that there be teamwork amongst teams. 

Saturday, June 27, 2009

The Studio Crew, Potrero Post Studios


Check out this bad-ass recording studio posse. That's me on the far left. And that's me at the controls in Studio A.

Friday, April 24, 2009

Rocking the Rock-it Room


Mixing sound at a great San Francisco club called the Rock-it Room, on Clement between 5th and 6th...